Kin by Kealan Patrick Burke
On a scorching hot summer day in Elkwood, Alabama, Claire Lambert staggers naked, wounded, and half-blind away from the scene of an atrocity. She is the sole survivor of a nightmare that claimed her friends, and even as she prays for rescue, the killers — a family of cannibalistic lunatics — are closing in.
A soldier suffering from post-traumatic stress disorder returns from Iraq to the news that his brother is among the murdered in Elkwood.
In snowbound Detroit, a waitress trapped in an abusive relationship gets an unexpected visit that will lead to bloodshed and send her back on the road to a past she has spent years trying to outrun.
And Claire, the only survivor of the Elkwood Massacre, haunted by her dead friends, dreams of vengeance… a dream which will be realized as grief and rage turn good people into cold-blooded murderers and force alliances among strangers.
It’s time to return to Elkwood.
In the spirit of such iconic horror classics as The Texas Chainsaw Massacre and Deliverance, Kin begins at the end and studies the possible aftermath for the survivors of such traumas upon their return to the real world — the guilt, the grief, the thirst for revenge — and sets them on an unthinkable journey… back into the heart of darkness.
If you’ve got the horror bug, you’ve seen this movie. God knows there are plenty to choose from. A group of attractive teenagers venture into the woods (or an old farmhouse, or anywhere, really, the world has it in for attractive teenagers), and find themselves hunted and tortured by a sadistic family of inbred monsters
Even if you don’t have the horror bug, you know how this ends. One girl, the
virginal good girl, makes it out. She has been beaten and defiled, she is scarred inside and out, but she has escaped. Sometimes there is a twist, sometimes there isn’t, but usually we get to see her sobbing in the arms of her rescuer. But what then? When the camera stops rolling and the audience goes home, are we supposed to believe in some kind of happily ever after?
Kealan Patrick Burke is here to tell us what happens to the girl, to her family and friends, to the families of her friends who were not so “lucky” as she. Kin is a big, sharp, serrated story that takes a (let’s face it) tired trope and drags it kicking and screaming down the path to where the story continues.
This is an ultrasaturated ride that encompasses a revenge fantasy, a slasher flick, and all the best parts of 1970s and 1980s movie horror excess. We get guts (ha) and glorious payback. We get death and destruction. We get the fire-breathing, brimstone-hurling back woods preacher a story like this deserves.
This book is not for the faint-hearted. But horror fans everywhere will find a practically perfect read between the covers of Kin.