Frankenstein Dreams edited by Michael Sims
So what did science fiction look like when modern science was still in its infancy? Michael Sims has put together a collection of 19th century short science fiction stories that illustrate not only the breadth and the creativity of the field prior to the turn of the 20th century, but also the creepy prescience of some of the writers (if not for strict scientific fact, then for topics that would remain scifi staples into the current day).
In this collection we find mechanical brides made to order, vicious monsters awaiting daring pilots in the upper levels of the atmosphere, superhuman senses, alternate dimensions, strange aliens, time travel, and apocalyptic plagues and disasters. The stories, which include samples from authors like Mary Shelley, Edgar Allen Poe, Jules Verne, and Rudyard Kipling, range from chapter excerpts to short stories to stories fashioned so like news items that, War of the Worlds-style, many people accepted them as fact.
My biggest complaint is that for the bigger names in the collection, clearly selected for their name recognition to the larger public, Sims has largely chosen to include only bits of chapters from their most famous works. As someone who looks to these collections to find little known authors or stories, this was a bit frustrating. I would have preferred something a little more off the beaten path.
Fans of Victorian literature and scifi buffs should check this volume out. In these stories, we can see the seed of inspiration for a number of modern tales.
A copy of this book was provided by the publisher via Goodreads Giveaways in exchange for an honest review.
The Only Child by Andrew Pyper
Dr. Lily Dominick is a forensic psychiatrist. She has dedicated her life to evaluating and understanding the worst people humanity can produce. When she is called in to evaluate a John Doe arrested after brutally mutilating a man, her carefully ordered life begins to unravel. The man claims to be over two hundred years old, and to have inspired the most infamous gothic monsters of the eighteenth century: Dracula, Mr. Hyde, and Frankenstein’s monster. When the man escapes, he draws Lily into a twisted game of cat and mouse. Lily must unravel the truth of this dangerous man’s past, and uncover his link to her own shadowed childhood.
This was an interesting take on the standard gothic horror motif. The dangerously supernatural intrudes into the life of a woman determined to be so mundane she is nearly invisible. At the same time, we feel an undercurrent of some unnamable strangeness lurking just beyond Lily’s conciousness. As the novel progresses, we are forced to wonder how much of what is happening is real, and how much might be some repressed part of herself coming to the surface at last.
I will say that some aspects of the novel verge into ridiculous territory. At some points Michael (the monster/madman) is genuinely creepy and terrifying, and at others he seems to lean toward emo-hipsterishness (I was a murderous, blood sucking maniac before it was cool. Also, I’m the one who made it cool). But really, as a gothic villain (and this is a gothic horror at heart) he really has no choice but to wallow in such self-centered psychosis.
In all, this is a good choice for fans of the genre. The writing is a bit flowery at times, which I know can turn some people off, but I personally feel that it fit well with the overall feel of the book. If you like your gothic horror with a fair dose of Silence of the Lambs, then this book is a good fit for you.
An advance copy of this book was provided by the publisher via NetGalley in exchange for an honest review.